Modern Chinese ArtistsObject Study 02

Sanyu / 常玉

Leopards at Night

1950s/1960s

Two animals cross an immeasurable distance

Leopards at Night by Sanyu, two tiny spotted leopards separated across a vast yellow plain beneath a deep blue sky
Image reference: Li Ching Foundation archive. Educational presentation.
Leopards at Night100%
Leopards at Night by Sanyu, two tiny spotted leopards separated across a vast yellow plain beneath a deep blue sky

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Enter the artwork study
10

Object in the Sanyu study

Date
1950s/1960s
Medium
Oil on masonite
Dimensions
128.5 x 167 cm
Collection / record
National Museum of History, Taipei
Catalogue / accession
LCF232

01 / Why this work matters

Two animals cross an immeasurable distance

Two leopards occupy a vast yellow plain under a deep blue-black sky. They are tiny, sharply outlined, and far apart. The scale of the landscape overwhelms narrative: whether the animals approach, flee, hunt, or simply endure cannot be resolved.

Sanyu's late animal paintings often replace the intimacy of the studio with exposed terrain. The simplified horizon and broad brushed fields look almost abstract, yet the spotted bodies keep the scene psychologically charged. Solitude becomes spatial fact.

02 / Formal analysis

Five ways to read the visible evidence.

Move from color and composition toward the material surface and the space the work asks you to inhabit.
01

Color and light

Blue sky built from visible, repeatedly worked brushstrokes

02

Composition and rhythm

The enormous interval separating the two animals

03

Line and gesture

Leopards rendered with miniature precision inside broad color fields

04

Surface and material

Sanyu's late animal paintings often replace the intimacy of the studio with exposed terrain. The simplified horizon and broad brushed fields look almost abstract, yet the spotted bodies keep the scene psychologically charged. Solitude becomes spatial fact.

05

Space and scale

Two leopards occupy a vast yellow plain under a deep blue-black sky. They are tiny, sharply outlined, and far apart. The scale of the landscape overwhelms narrative: whether the animals approach, flee, hunt, or simply endure cannot be resolved.

03 / History and object record

Place the image inside a life, a period, and a documented record.

Historical interpretation

Sanyu, 1950s/1960s

Sanyu's late animal paintings often replace the intimacy of the studio with exposed terrain. The simplified horizon and broad brushed fields look almost abstract, yet the spotted bodies keep the scene psychologically charged. Solitude becomes spatial fact.

Ink-trained line, Parisian modern life, the nude, flowers, and animals are compressed into radical economy.

Exhibition and record history

What the cited record establishes

Recorded collection
National Museum of History, Taipei
Catalogue reference
LCF232
Exhibition chronology
The cited public record does not provide a complete exhibition chronology. Follow the primary record for provenance, display history, and future updates.

04 / Connections

Continue through neighboring works and parallel modernisms.

05 / Sources and further reading

Follow the object back to its institutional record.